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Grateful
Dead - Dick's Picks 13
CD set from Nassau
Coliseum in Long Island, New York on 5/6/81.
GRATEFUL DEAD
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
Disc One:
Alabama Getaway (5:01) Garcia, Hunter
Greatest Story Ever Told (4:25) Hart, Weir, Hunter
They Love Each Other (7:08) Garcia, Hunter
Cassidy (5:17) Weir, Barlow
Jack-A-Roe (4:56) Trad. Arr. by Grateful Dead
Little Red Rooster (9:32) Dixon
Dire Wolf (3:26) Garcia, Hunter
Looks Like Rain (9:05) Weir, Barlow
Big Railroad Blues (3:55) Lewis, Arr. by Grateful Dead
Let It Grow (10:07) Weir, Anderson, Barlow
Deal (7:33) Garcia, Hunter
Disc Two:
New Minglewood Blues (7:16) Trad. Arr. by Weir
High Time (9:49) Garcia, Hunter
Lost Sailor (6:15) Weir, Barlow
Saint of Circumstance (6:35) Weir, Barlow
(+ hidden bonus tracks)
Disc Three
He's Gone (11:53) Garcia, Hunter
Caution/Spanish Jam (15:25) Grateful Dead
Drums (7:24) Hart, Kreutzmann
Jam (3:42) Grateful Dead
The Other One (6:04) Weir, Kreutzmann
Goin' Down The Road Feeling Bad (5:33) Trad. Arr. by Grateful Dead
Wharf Rat (9:19) Garcia, Hunter
Good Lovin' (7:46) Resnick, Clark
Don't Ease Me In (3:27) Trad. Arr. by Grateful Dead
Recorded by: Dan
Healy
Tape Archivist: Dick Latvala
CD Mastering: Jeffery Norman
Ferromagnetist: John Cutler
Album Design: Gecko Graphics
Photography: Jim Anderson
It's obvious that Dick picked this show mostly because of the long, furious
jam following "He's Gone" (which Weir dedicates to Irish Republican Army
hunger-striker Bobby Sands, who died that day). There are hints of "Caution"
in the jam and a fine Spanish section as well; overall it's a serious
group excursion into the unknown. The rest of the show only occasionally
matches that level of intensity. The first set is wild and woolly, with
a good blend of uptempo and slower numbers and a powerful "Let It Grow"
near the end that flies all over the place.
On Disc Two, the beginning
of the second set, there appear to be just four songs. On "High Time"
(a treat at any show) you can hear that Garcia is very slightly out of
sync with the rest of the band, and that feeling crops up at other points
in the show as well. But Disc Two also contains a "hidden" unlisted filler
track (which begins almost two minutes after the supposed "end" of track
four, "Saint of Circumstance") — a version of "Scarlet Begonias" > "Fire
on the Mountain." It starts out very slowly, but by mid-"Scarlet" the
band is cooking, and then the jam between "Scarlet" and "Fire" is the
Dead in exploration mode, and the "Fire on the Mountain" has many exciting
moments. Presented with the opportunity to pick any "Scarlet > Fire" from
the early '80s as filler I don't think I would've chosen this one, but
hey, everybody's a critic! Disc Three after the "Bobby Sands" jam contains
more solid playing, including a churning, if abbreviated, "Other One."
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