Grateful
Dead - Dick's Picks 7
3 CD's culled from
three nights at the Alexandra Palace in London, England September 1974.
GRATEFUL DEAD
Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux – Vocals
Keith Godchaux – Keyboards
Bill Kreutzmann – Drums
Phil Lesh - Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals
Disc One:
Scarlet Begonias
Mexicali Blues
Row Jimmy
Black Throated Wind
Mississippi Half Step
Beat It On Down The Line
Tennessee Jed
Playin' In The Band
Disc Two:
Weather Report Suite>
Stella Blue
Jack Straw
Brown Eyed Women
Big River
Truckin>
Wood Green Jam>
Wharf Rat
Disc Three:
Me And My Uncle
Not Fade Away
Dark Star>
Spam Jam>
Morning Dew
1974 was a newsworthy
year in many ways. Most people will remember it as the year Richard Nixon
checked out of 1600 Pennsylvania Avenue. Sports fans might fondly recall
the Oakland A's third straight World Series title. And for those with
a taste for slightly tacky Americana, there was that whole Evel Kneivel-Snake
River Canyon thing.
But for Deadheads,
1974 will always be the year of the Wall Of Sound. The culmination of
years of experimentation, The Wall was the rock 'n' roll P.A. equivalent
of all 7 Wonders Of The World, rolled into one - a towering edifice of
pure audio power, pumping out the biggest, loudest and cleanest sound
rock audiences had ever heard. And the Grateful Dead played music that
was more than worthy of the P.A. - 1974 was one of those years that fans
still speak of with reverence. '74 was also the year that the Dead decided,
after nearly a decade of relentless motion, to take some time off from
the road, to sit down and patch their bones, as it were. After completing
a strenuous summer tour and just prior to a series of "farewell" shows
in San Francisco, the Dead attended to one more bit of unfinished (and
rather pleasant) business: a quick jaunt - 7 shows in three countries
- to Europe, starting with three nights at London's Alexandra Palace.
Armed with only his
unerring ears, Grateful Dead archivist Dick Latvala has ventured yet again
into the band's tape vault, and emerged with another winner, Dick's Picks,
Volume 7, culled from the highest of the many high points from those three
London shows. Maybe the knowledge that these would be among the last tour
dates for quite a while gave the Dead a special sense of urgency about
these shows. Or maybe it was just in the stars. Whatever the reason, they
hit the stage ablaze, and pretty much stayed that way throughout. The
playing and singing is full of passion, wit and wild abandon, as the band
careens headlong across stylistic boundaries, moving with ease from sweet,
folkish tunes to fearless sonic exploration.
As always, the wizards
of Club Front have done a splendid job of digitally mastering these discs
from the original two-track source tapes, capturing the essence of the
Dead's sound from that era. It's the next best thing to having been there,
without the expense and inevitable structural damage of hauling the Wall
Of Sound itself into your living room.
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